CHAPTER 29 - Unmasked (1980)

 

“Unmasked” Album Notes:

Produced by Vini Poncia. Recorded and mixed by Jay Messina and Gary Russell at The Record Plant, New York City, New York, January - February 1980. Engineered by Gary Russell. Anton Fig would again ghost for Peter Criss on drums, only this time on every track on the album.

 

29.01. Is That You?

Originally written by Gerard McMahon in 1979. Gerard’s musical history stretched back into the 1970s. He had been the keyboard player on Jimmy Ibbotson’s “Nitty Gritty Ibbotson” solo album in 1977. Also playing on the album would be guitarist Steve Sykes with whom Gerard would do several projects, including the 1980 album “Blue Rue” credited to Gerard McMahon & Kid Lightning and one of his two “Gerard” solo albums. Gerard would later contribute material to the classic “Fast Times at Ridgemont High” soundtrack (1982).

 

Gerard’s manager was looking for a producer and considered Vini Poncia a possibility. As a result, Vini heard several McMahon demos, and liked “Is That You?” enough to take it to KISS for consideration. The band, particularly Paul, loved the song and decided to use it on the album. “Is That You?” would be released as a single in several markets, notably Australia and Holland, but it wouldn’t make any impact on the charts. In Australia the single was only on sale for a few short weeks in October 1980, before being deleted, making it one of the rarest singles, along with Gene’s “Radioactive,” in the Australian KISS catalog.

 

There would be minor changes between Paul’s and Gerard’s versions of this song. Lyrically, “act your age, get back in your cage” would become “act your age, get off your stage.” A third verse of the original would be totally deleted: “Don’t like drivin’ to the high school / Just for kicks, you crazy chick / I oughta cross you out of my black book / You’re out of line, in your own case.” Due to the changes, KISS’ version would run 3:55 while Gerard’s original demo had clocked in at 4:23.

 

29.02. Shandi

“Shandi” has the dubious distinction of being a recording that features only Paul Stanley from KISS’ then-lineup on the track. Bass would be provided by Tom Harper, who had been Paul’s guitar tech on the “Dynasty” tour. According to Tom, “Gene was out of the studio one day and the producer (Vini Poncia) gave me a tape of ‘Shandi’ and said, ‘Go home and learn this, you’re playing tomorrow.’ Gene heard the track the following day and agreed to let it stay” (Otaku). Keyboards were played by Holly Knight, while, like the rest of the “Unmasked” album, the drums were performed by Anton Fig. Paul, naturally, would sing the song and play all of the guitars. With the song’s title provided by Vini Poncia, Paul wrote the song on a 12-string acoustic guitar looking to write something similar to Bruce Springsteen’s “4th of July, Asbury Park (Sandy),” though no doubt with memories of “Hard Luck Woman”! The song’s character would change during the sanitization of Poncia’s production. As a result, according to Paul, the production changed the character of the song and it “Seemed to get polished and neutered to a point that I believe took away the heart of the song” (KISS Box Set).

 

“Shandi” would be the first single off “Unmasked,” promoted as “it is unlike any KISS music you’ve heard yet. This is the tune you’ll hear on the beach all summer. It’s the kind of song you just can’t help singing along with”! Unfortunately, the single would only manage to go top 10 in Australia, New Zealand, and Norway while it essentially bombed in the United States. Other top 40 chartings for the song included Germany and Holland, where the album performed well due to strong promotional work by the band. The song still features strongly in the KISS set during the band’s Antipodean appearances. The music video created for “Shandi” would be the band’s first to feature some concept rather than pure performance. It would also be Peter’s final appearance with the band.

 

29.03. Talk To Me

While Ace’s “Talk To Me” would not be released as a single in the United States, it would be a top 40 hit in Australia, Holland, and Germany. Its best performance would be in Switzerland, where it managed to reach #10 on the national charts. In most international markets “Talk To Me” was issued as the second single from the album, usually backed with “Naked City” (except in Japan, where it would be backed with “Easy As It Seems,” since “Tomorrow” had already been released there with “Naked City” as the B-side following the American single model). The band would video a lip-synched performance video for West German television, which has become accepted as something of an unofficial promo for the album. This song, and Ace’s “Two Sides Of The Coin,” would be the only songs on the album on which producer Vini Poncia would not get a co-writing credit.

 

29.04. Naked City

Written by Gene Simmons, Robert Kulick, Vini Poncia, and Emil Thielhelm (better known as Peppy Castro). The song would be originally demoed by Gene, Paul, Bob Kulick, Karla DeVito, and Peppy at Studio 54 Studios. For all of his years working with KISS, and his history with the band dating back to 1973, this would be Bob’s first credited co-write with the band. Karla, however, was the touring vocalist with Meat Loaf during the “Bat Out Of Hell” tour, which included Bruce and Bob Kulick.

 

29.05. What Makes The World Go ‘Round

Written by Paul Stanley and Vini Poncia, this song would be released as a single, backed with “Naked City,” in the United Kingdom and France. It wouldn’t chart, though the UK single has become highly collectible due to the picture sleeve featuring Ace engulfed in smoke posed with his black Les Paul. The French version is equally collectible, using the “Unmasked” part of the album cover for the single’s cover art. Paul Stanley plays the guitar solo on the recording.

 

29.06. Tomorrow

As a single “Tomorrow” would be a universal dud, only managing to chart in one country: Germany, where it only hit #70. Written by Paul Stanley and Vini Poncia, Paul played bass on the recording.

 

29.07. Two Sides Of The Coin

Written by Ace Frehley. Ace would also play bass on the recording. Ace’s contributions to “Unmasked” marked his greatest creative contribution of a KISS album. With three songs, he’d exceed the two (and a cover) he’d brought to the previous album’s sessions. It is clear from this growing amount of material that Ace had benefited from the solo album “diversion” of 1978, both in terms of creativity and confidence. This song would be the album’s sole representative on the American compilation, “Greatest KISS,” released in 1997.

 

29.08. She’s So European

The band would video a lip-synched performance video for West German television, which has become accepted as something of an unofficial promo for the album. The verses of the original version of the song would be drastically different than the recorded version, the first of which went: “She speaks French to the waiters / In between sips of pink champagne / Hors d’Oeuvres are nothing special / She says Paris is still the same.” One almost can find elements of “Rockin’ In The USA” in Gene’s original song.

 

29.09. Easy As It Seems

Written by Paul Stanley and Vini Poncia. Paul Stanley played bass and the guitar solo on the recording.

 

29.10. Torpedo Girl

The only one of the three Ace recordings on “Unmasked” to be co-written, in this case with Vini Poncia. Vini would get co-writes on 8 of the album’s 11 tracks. Ace would play bass on the recording, which stands as KISS’ only “comic” recording to date.

 

Gene has commented: “Ace sometimes played bass, too. He played bass on ‘2,000 Man’ and ‘Torpedo Girl.’ And I didn’t always play bass. I played guitar on ‘Almost Human’ and a few other songs. The idea here is that, even though it says Gene Simmons, bass; Paul Stanley, guitar; Ace Frehley, guitar and Peter Criss, drums, everybody does whatever has to be done because it’s still called KISS. We don’t play the game of giving credit to every tambourine player and background vocalist. That’s nonsense” (Jeff Kitts - Guitar World Magazine, 1997).

 

29.11. You’re All That I Want

According to Gene, this song had originally been written around 1977. Please refer to the “Box Set” section for more details on the original demo.

 

“Live at the Sydney Showground, 1980” Video Notes:

Like “KISS: The Lost Concert, 1976,” this DVD release was rapidly pulled from distribution, and even fewer copies than the aforementioned release got into circulation. This release features the Australian exclusive KISS concert which was filmed in November 1980 live on Eric Carr’s debut tour with the band.

 

29.12. Detroit Rock City

29.13. Cold Gin

29.14. Strutter

29.15. Shandi

29.16. Calling Dr. Love

29.17. Firehouse

29.18. Talk To Me

29.19. Is That You?

29.20. 2,000 Man

29.21. I Was Made For Lovin’ You

29.22. New York Groove

29.23. Love Gun

29.24. God Of Thunder

29.25. Rock And Roll All Nite

29.26. Shout It Out Loud

29.27. King Of The Night Time World

29.28. Black Diamond

 

Tangent: Egos At Stake...

“Egos At Stake” was one of the first vinyl bootlegs released in the 1980s. Professionally packaged in Japan, the bootleg featured KISS’ performance at Wembley Arena on September 9, 1980. The title for this bootleg was taken from the atrocious review of the KISS show by Paul Rambali. The problem was, Rambali didn’t know anything about the band constantly refering to Ace as the lead singer.

 

 



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