CHAPTER 9 - Eric Singer Pre-KISS

 

"Tony Iommi Solo Album Demos" Notes:

On the heels of the aborted project with lead singer David Donato, in January 1985 Tony Iommi started working on pre-production demos for a solo album while Sabbath essentially went on hiatus. Recruited to assist him getting demo ideas down on tape were Eric Singer and Gordon Copley from his then girlfriend Lita Ford's backing band. Since his band had no vocalist various singers were considered, most notably Jeff Fenholt, who has suggested that he worked with Tony for several months cowriting material that was eventually used on the album that became "Seventh Star." Eric has suggested that the collaboration lasted about a month, but it is pretty clear that several months of work were done at Cherokee Studios in Hollywood.

 

While the source of the Fenholt/Iommi recordings are unclear, with some considering them to be Jeff's audition recordings on Iommi/Copley/Singer bed tracks, or try-outs. It needs to be made clear that Jeff Fenholt is nearly universally regarded as never having been a member of Black Sabbath, even if Jeff didn't know that Tony wasn't planning on using the Black Sabbath moniker for the album. Still, he got further than future White Tiger and previous Sabbath vocalist David Donato (the Iommi/Butler/Ward/Donato line-up did do a session with legendary Bob Ezrin).

 

09.01. Star Of India (Version #1]

Musically, "Star Of India" later became "Seventh Star." Most of the demos feature lyrics/contributions by Fenholt that were later discarded. This was Jeff’s title.

 

09.02. Take My Heart (Version #1]

"Take My Heart" became "No Stranger To Love."

 

09.03. Eye Of The Storm (Version #1]

"Eye Of The Storm" became "Turn To Stone."

 

09.04. Love On The Line (Version 1)

This song became "Heart Like A Wheel." The circulating version of this track is very un-developed, and feels such. Some vocal melodies are there, but it is obvious that a lot of work needed to be done on the piece.

 

09.05. Chance On Love (Version 1)

This song became "Danger Zone."

 

09.06. Jam 1

A super short 30 second bit that is more a Iommi guitar free-form piece.

 

09.07. The Thrill Is Gone (with Lita Ford)

Featuring the first Tony Iommi solo band/Black Sabbath lineup that included Eric Singer, this 3:37 BB King cover song was possibly intended for a Lita Ford album, but never used. The track was recorded at the same studios in Hollywood where Tony Iommi was working on demos for what was then a solo album.

 

09.08. Jam 3

Running 3:56 this track has Jeff complaining about the compression of the sound while he works on vocal melodies to the rest of the band simply jamming with a very prominent Geoff Nichols keyboard making the piece sound more like Van Halen than Sabbath.

 

09.09. Jam 2

A jazzy Iommi guitar free-form piece that segues from “Jam 1.” Fenholt comes in with a bit of vocal melody.

 

09.10. Unknown Instrumental 1

09.11. Unknown Instrumental 2

It is the general consensus that 09.10 and 11 are without Iommi and are likely simply Lita, Singer, and Copley jamming.

 

09.12. Star Of India (Version 2)

This second version of the song runs over six minutes (much longer than version 1). While it is more developed lyrically, and the music essentially complete, it is very much apparent that this is a work in progress and that the arrangement and vocal delivery are being developed.

 

09.13. Take My Heart (Version 2)

 

09.14. Eye Of The Storm (Version 2)

09.15. Love On The Line

09.16. Star Of India (Version 3)

The three versions of "Star Of India" demonstrate the refining process as the song shrinks from 6:19 to 5:35, finally to 5:16.

 

“Seventh Star” Demo Sessions:

Recorded at Cherokee Studios in Hollywood, CA during July 1985 with the lineup consisting of Iommi, Spitz, Singer, and Geoff Nichols. These are instrumental demos of the songs which show signs of development and refinement from the earlier recordings.

 

09.17. Seventh Star (Instrumental 1)

09.18. Danger Zone (Instrumental)

09.19. Turn To Stone (Instrumental)

09.20. No Stranger To Love (Instrumental)

09.21. Seventh Star (Instrumental 2)

09.22. In For The Kill (Instrumental)

This demo includes only the bass and drum tracks.

 

09.23. Heart Like A Wheel (Instrumental)

09.24. Angry Heart (Instrumental)

09.25. In Memory (Instrumental)

 

“Seventh Star” Album Notes:

Produced and engineered by Jeff Glixman; Recorded at Cheshire Sound Studios, Atlanta, Georgia; Mastered at Artisan Sound Recorders, Hollywood, California; Eric Singer’s first professional recording credit would be on what started out as a Tony Iommi solo project. Along with Dave Spitz, Glenn Hughes, and Geoff Nichols work started in the summer of 1985. Several dates into the tour in support of the album Glenn would be replaced by Ray Gillen on lead vocals. Eric had been working on Lita Ford demos which her then boyfriend Tony heard resulting in his recruitment.

 

09.26. In For The Kill

09.27. No Stranger To Love

The only track on the album to feature Gordon Copley on bass. Both he and Eric Singer were co-opted by Lita Ford’s fiancée Iommi to work on demos on his solo project. When Lita headed back out on the road Gordon rejoined her, but Eric stayed with Iommi. A depressive video was released for this song which featured Bing Crosby’s grand-daughter Denise, later of Star Trek TNG fame, which briefly shows Eric.

 

09.28. Turn To Stone

09.29. Sphinx (The Guardian)

09.30. Seventh Star

09.31. Danger Zone

“Danger Zone” was also released as a single in the United States.

 

09.32. Heart Like A Wheel

09.33. Angry Heart

09.34. In Memory....

 

09.35. No Stranger To Love (Remix)

Remixed 1986 single version issued in some markets. Backed with album version of “Angry Heart.” The music from this version was used on the video of the song.

 

“Westwood One In Concert” Radio Show Notes:

Tracks 09.36-42 from a broadcast LP with partial Eric Singer era Black Sabbath show recorded at the Convention Center Arena in San Antonio, Texas, on April 18, 1986, the second to last date of the tour. This show was first broadcast on May 25, 1986 and included a partial Motley Crue show. Many copies of this show lack the first track.

 

09.36. Mob Rules

09.37. Danger Zone

09.38. War Pigs

09.39. Heart Like A Wheel

09.40. Symptom Of The Universe/Sweet Leaf

09.41. Black Sabbath

09.42. Neon Knights

 

“BBC In Concert #?” Album Notes:

Tracks 09.43-51 are not an album proper, per se, but a BBC transcription services radio show album which featured part of a Black Sabbath show performed at London’s Hammersmith Odeon on June 2, 1986.

 

09.43. Mob Rules

09.44. Danger Zone

09.45. War Pigs

09.46. Seventh Star

09.47. Die Young

09.48. Black Sabbath

09.49. NIB

09.50. Neon Knights

09.51. Paranoid

 

“BBC In Concert #414” Album Notes:

Tracks 09.52-09.59; Not an album proper, per se, but a BBC transcription services radio show album which featured an early date of the Gary Moore “Wild Frontiers” tour on which Eric Singer was the band’s drummer (ironically, Bob Daisley was bassist for the band). It was recorded live at the Hammersmith Odeon, London, on April 2, 1987, for the BBC transcription services, to be used for broadcast by the BBC and its affiliates.

 

09.52. Over The Hills And Far Away

09.53. Thunder Rising

09.54. Shapes Of Things

09.55. Wild Frontier

09.56. So Far Away

09.57. Empty Rooms

09.58. Out In The Fields

09.59. All Messed Up

 

09.60. The Loner

Not included on the BBC transcription disc, but a 12:38 live version which was also recorded at Hammersmith. Recorded and Mixed by Nigel Walker. Released on a Gary Moore 12” single (10 Records TENT-178) in 1987.

 

“Wild Frontiers” Live Video Notes:

Tracks 09.61-09.69 recorded live on April 25, 1987 at the Isstadion, Stockholm, Sweden. Recorded and Mixed by Nigel Walker. Released together on Gary’s “Wild Frontiers Tour Live” video on November 13, 1987, but also available as B-sides on a variety of his singles releases.

 

09.61. Thunder Rising

09.62. Wild Frontier

09.63. Military Man

Tracks 09.61-09.63 originally part of the “Live At Isstadion Stockholm” video, but released on Gary Moore singles in 1989.

 

09.64. Over The Hills And Far Away

09.65. Empty Rooms

09.66. All Messed Up

Released on 7,” 12” and CD-singles for “Take A Little Time” and on the “Out In The Fields” limited edition double-CD.

 

09.67. Out In The Fields

Released on the “After The War” 12” and the “Out In The Fields” limited edition double-CD.

 

09.68. Rockin’ Every Night

Released on the “Ready For Love” 12” singles and the “Out In The Fields” limited edition double-CD.

 

09.69. The Loner

Released on the “Out In The Fields” limited edition double-CD.

 

“The Eternal Idol” Demo Session Notes:

Following the conclusion of the “Seventh Star” tour demo work started in July/August 1986 for the follow-up album. Initially the pre-production work was done by the touring lineup. However, Dave Spitz was soon replaced by Bob Daisley, though demos of the album’s material with Dave do exist. By September recording of the album had commenced and the majority of the backing-tracks had been completed by mid-October, and Bob soon departed. The “demos” from the second sessions (tracks 09.75-82) are essentially nearly completed studio tracks of the material which would later be released at “The Eternal Idol,” without Ray’s vocals.

 

09.70. The Boogie Song

09.71. Gypsy Warning (a.k.a. “Black Moon”)

09.72. One In The Box

09.73. Speedballs (a.k.a. “Lost Forever”)

09.74. The Axeman (a.k.a. “Ancient Warrior”)

Tracks 09.70-74 are demos from Air Studios during the Monserrat pre-production sessions, recorded July/August 1986 with Dave Spitz on bass.

 

09.75. The Shining

Musically, this song started out life as “No Way Out,” demoed by Black Sabbath in 1984 with David Donato on lead vocals. By 1987 little, but noticeable elements, of the original remained.

 

09.76. Ancient Warrior

09.77. Hard Life To Love

09.78. Glory Ride

09.79. Born to Lose

09.80. Nightmare

09.81. Lost Forever

09.82. Eternal Idol

Tracks 09.75-82 date from around early October 1986 from sessions also at Air Studios in Montserrat. Bob Daisley had replaced Dave Spitz on bass, but after recording his parts and helping with the writing of the album left to tour with Gary Moore (he wasn’t officially part of Sabbath at the time). These are basic rhythm tracks with lead guitar over-dubs and solos missing, except for the solo on 09.79.

 

09.83. Glory Ride

09.84. Lost Forever

09.85. The Eternal Idol

09.86. The Shining

09.87. Hard Life To Love

09.88. Ancient Warrior

09.89. Born to Lose

Tracks 09.83-89 are demos that include Tony’s guitar solos. Both 09.83 & 09.86 have longer ending sections than the previous demos.

 

“The Eternal Idol” Album Notes:

Produced by Jeff Glixman, Vic Coppersmith-Heaven, and Chris Tsangerides; Recorded at Air Studios, Montserrat and Battery Studios, London, England; Mixed by Chris Tsangerides. Released on November 1, 1987. Both Dave Spitz and Bob Daisley are credited on bass, though it is likely that Bob played on the majority of the tracks. The same is the case with Eric Singer credited on drums and Bev Bevan credited on percussion (he’d be the next Sabbath drummer). Eric Singer departed the band in January 1987, having already completed his drum tracks. By March 1987 Ray Gillen had also quit the band and Tony Martin was be recruited as the next Sabbath vocalist, replacing all of Gillen’s vocal work.

 

09.90. The Shining

Issued as a single in support of the album in most markets, some of which included 09.99 & 100 as B-sides. A video was shot for this song featuring Terry Chimes (ex-Clash) on drums.

 

09.91. Ancient Warrior

09.92. Hard Life To Love

09.93. Glory Ride

09.94. Born to Lose

09.95. Nightmare

The only officially released Sabbath studio recording to feature Ray Gillen on vocals. Well, not actually vocals, the laughing on the track is him.

 

09.96. Scarlet Pimpernel

Since this track doesn’t exist on any of the demo recordings from 1986 it is possible that Eric Singer didn’t drum on it.

 

09.97. Lost Forever

09.98. Eternal Idol

 

09.99. Black Moon (B-side)

Originally titled "Gypsy Warning," Geoff Nichols plays bass on the recording. It was first demoed during the pre-production demo sessions. This song was later re-recorded for the “Headless Cross” (1989) album.

 

09.100. Some Kind Of Woman (B-side)

This song was first demoed during the pre-production demo sessions and is the only officially released Sabbath studio recording to feature Dave Spitz on bass. Both 09.99 & 100 were released as B-sides on European “The Shining” singles.

 

“The Drive” Album Notes:

Executive Producer: Bob Cahill; Produced by Biff Vincent and Rick Chavez; Recorded and mixed at Front Page Recorders, Studio A & B, Costa Mesa, California in January and February 1988; The band would feature David Taylor on vocals, Rich Chavez and Mercy Valdez on guitars, and Michael Guerrero on bass. Eric was hired to play the drums on all tracks while the band searched for their own permanent drummer while recording the album. He is credited prominently on the linear notes with an endorsement for Eric’s Pearl Drums and Zildjian Cymbals. He’s also thanked in the “Thanks” list. 09.110 is additional bonus track included on the CD.

 

09.101. (New Reign) The Phoenix

09.102. Kamikaze

09.103. Stormtrooper

09.104. Heroes Road

09.105. Snake Eyes

09.106. Eternal Mercenary

09.107. The Entity

09.108. Sinister Minister

09.109. Forever And A Day

09.110. I Need The Nights

 

“Sonic Temple” Demo Sessions:

Produced by The Cult, which by June 1988 comprised of Ian Astbury, Billy Duffy, and James Stewart; 1st engineer John Carter; 2nd engineers Edgar Garcia, Pete Magdaieno and Ken Palakovitch; Tracks 09.83-09.103 released on the limited edition box set “Rare Cult - The Demo Sessions” (2002). Tracks 09.83-09.96 recorded June 11, 1988; Tracks 09.97-09.103 recorded June 12, 1988 at Track Record Studios in North Hollywood, California. Some of these tracks were also released on the “Rare Cult” (2000) box set and single CD “Best of Rare Cult” (2000).

 

09.83. Medicine Train

09.84. Fire

09.85. New York City

09.86. Wake Up Time For Freedom

09.87. American Horse

09.88. Bite On The Bullet (Down So Long)

09.89. Sun King

09.90. Fred Divinyls

09.91. Automatic Blues

09.92. Citadel

09.93. Yes Man

09.94. The River

09.95. Zodiac

09.96. The Crystal Ocean

09.97. Cashmere

09.98. Edie

09.99. Bleeding Hearts Revival

09.100. Lay Down Your Gun

09.101. My Love

09.102. Iron Star

09.103. Star Child

 

Badlands” Demos Notes:

Various demo versions of what would later be used on various Badlands albums were recorded in 1988-9.

 

09.104. Reckless Child

This demo is actually "Dancin' On The Edge" with different lyrics.

 

09.105. Devil's Stomp

09.106. Hard Driver

09.107. Jade's Song

09.108. Lord Knows

09.109. Rumblin' Train

09.110. Seasons

09.111. Shake Down

09.112. The Last Time

 

09.113. Let It Bleed

09.114. Shake Down (Version 2)

09.115. The Last Time

09.116. Get Ready (Rough)

09.117. Lord Knows

1.

2.

3.

4.

5.

6.

7.

8.

9. Lord Knows

10. Reckless Child

11. Hard Driver

12. The Last Time

13. Rumblin' Train

14. Devil’s Stomp

15. Seasons

16. As Time Goes By

17.

 

 

Badlands” Album Notes:

Produced by Paul O’Neil and Badlands; Engineered by James A. Ball; Recorded at One-on-One Studios, Los Angeles, California, and The Record Plant, New York City, New York. The album managed to reach a very respectable #57 on the Billboard album charts during its 26 weeks run. The album was released May 16, 1989.

 

09.104. High Wire

09.105. Dreams In The Dark

Would be issued as single from the album backed with “Hard Driver.” The video for the song would be a top-10 video on MTV requests for over a month.

 

09.106. Jade’s Song

 

09.107. Winter’s Call

Issued as a single from the album.

 

09.108. Dancing On The Edge

09.109. Streets Cry Freedom

09.110. Hard Driver

09.111. Rumblin’ Train

09.112. Devil’s Stomp

09.113. Seasons

09.114. Ball & Chain

 

09.115. Winter’s Call (Edit)

The edit version of the song released as a single cut nearly a minute from the track. Promo CD’s also included the full album version of the song. The edit would be used on the video made for the song. Both videos would be included on the “Dag the Giblets” VHS release.

 

“Ward One” Album Notes:

Produced by Peter Kelsey; Recorded at The Village Recorder, Take One, Front Page, and Studio on Wheels; Eric Singer guests on drums on two tracks on the former Black Sabbath drummer’s solo album. Apart from Eric other guests include Ozzy, Lanny Cordola, Zakk Wylde, Gordon Copley, Bob Daisley, Jack Bruce, and others!

 

09.116. (Mobile) Shooting Gallery

09.117. Pink Clouds On An Island

 

09.118. God Gave Rock ‘N Roll To You II

Eric’s first official session recording with KISS. Refer to KISS – “Bill & Ted’s Bogus Journey” Original Soundtrack section for full details.

 

09.119. Eighteen

Produced by Thom Panumzio; Recorded live at Irvine Meadows Amphitheatre, Los Angeles, California, Friday July 12th, 1991 for broadcast on the ABC “In Concert” series (partially). Track released on the “Love’s A Loaded Gun” 12” picture disc.

 

“Live At Electric Lady Studios” Album Notes:

Produced by Thom Panumzio. This album was included in a special Japanese packaging of Alice’s “Last Temptation” album. It is a recording live on September 13, 1991, from Electric Lady Studios which was broadcast on WNEW-FM and The Album Network on October 31, 1991. Tracks 09.121 and 09.124 were also released as B-sides on the “Lost In America” CD-single.

 

09.120. Sick Things

09.121. Only Women Bleed / Wind Up Toy

09.122. No More Mr. Nice Guy / Billion Dollar Babies

09.123. Poison

09.124. Hey Stoopid

 

09.125. School’s Out

09.126. Love’s A Loaded Gun

Tracks also recorded live at Electric Lady Studios, but released as B-sides on the “Burning Our Bed” CD-single.



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